Or better scoring by the judges?
Astrid on EuroDressage poses some interesting questions. Discussion?
I couldn’t help but wonder that the concept “top horse” has to be redefined now. In the presence of such great horses as Totilas, Parzival and Mistral any other 72% scoring horse, for instance, looks “normal”. To what has the dressage world come?
Edward, Laura and Adelinde have stepped through star gate and entered a new era in dressage. These young talents have abdicated the old heroes and legends, who are now trying hard to catch up with them but a new league has arrived… For some reason the words “Le Beaujolais Nouveau est arrivé” rings through my head.
At the press conference a Dutch journalist tried to generate credit for the “Dutch school” as initiators and innovators of dressage. Somehow I was wondering to what extent this new trend has anything to do with “Dutch school,” or the Dutch way of training.
In my mind it is breeding that matters here and even more so getting the right horses in the right hands at the right time. How Dutch is Totilas with 50% of his genes being German (his sire is Trakehner Gribaldi). What about Parzival who has thoroughbred and Westfalian blood on the dam side through Ulft and Roemer?
How Dutch is Laura Bechtolsheimer who has been trained in the most classical way imaginable… And even Adelinde is not truly “Dutch school” as she is from the rural town Beilen in Drenthe and never got truly exposed to the notorious Dutch training system.