QUOTE
"Classical dressage can be translated, “fine training” - capriole, piaffe, levade - yet it’s more than that. It defines quality in horsemanship at every stage, even at, and most importantly at, the “lowest levels”. Classical dressage is about aspiring to perfection; perfect communication, perfect balance, perfect coordination, perfect feel, perfect timing, perfect harmony. Relentlessly striving to improve skill and understanding and raising the bar, yet never being satisfied that we, as riders, have truly achieved perfection on our part. We can always be more subtle in our aiding. We can always have more feel. However, this striving for perfection is not just so we can pat ourselves on the back, thinking we’re somehow superior. It is truly because when we strive to ride better, it’s beneficial to the horse. The purpose behind classical dressage is to improve the experience for the horse. Characteristics of classical dressage are, imperceptible aids given by the rider, precision and light contact with the bit that results from gymnastically increasing the bending and weight carrying ability of the haunches and an obvious expression of enjoyment in the horse. Horses that are strong enough and riders who are interested can go on to the extremely collected movements and airs above the ground. " QUOTE
The above definition, for me, defines what I see in Edward Gal and Totilas.
I grew up thinking Dressage was proper schooling of ANY horse regardless of movement. Yes, this horse is an extreme mover, which I for one, foind breathtaking. Each to their own.
I see a Forward, Strong, Athletic, Happy horse versus many tense ones in the ring today…for me a Glorious duo.
But I only ride lower level dressae and hunter…so I know nothing…nor to I pretend to…Totilas can park himself in my barn anytime 