Agreed. Thank you. That is what I saw in the piaffe video.
Agree that the horse is a bit tense. Lusitano are often tense over-achievers, and I think thatâs what is going on here. The horse is sitting behind and then asked to sit more behind and go backward. Clearly heâs focusing hard. I would like to see a bit more forward-thinking-ness in the piaffe, even moving backward, similar to a rein back. But this is a constant struggle with Lusitano, which is why I said above that with these breeds Iâm more interested in seeing the extension and passage. The passage is the weak point in the video.
ETA: I have seen horses come out of Jorgeâs training very sensitive and light and Iâve also seen them come out a hot mess thatâs taken years to unravel. Also call me a prude with my feet stuck in the mud but a 17hh Lusi that moves like a modern warmblood is not congruent with the breed standard and IMO undesirable.
Agree with thisâŠbut talk to the APSL, they are the ones driving this breed goal. I have spoken with JoĂŁo RalĂŁo Duarte who said the smaller cat-like working horses I like would not be approved today.
Iâm not even sure it that is still a thing anymore. With there being so many horses bred to go level I donât see why it would be.
ETA: It never ceases to amaze me every time dressage proves to be effed up at the upper level, WP gets dragged into the discussion. I never should have been drawn into responding to it at this point. The head position isnât what bothers me so much as the quality of gait. With both of them.
Youâre right, I apologize.
Not necessarily. I have a silver bay colt right now. Heâs clearly bay, but has silver/blonde hairs over the black on his legs, within his 50% black mane, and most of his tail is blonde. Horse colors are very complex.
Silver isnât cream, itâs a completely different gene and only modifies black. Cream only modifies red pigment. The only time it modifies black is when there is two copies of cream.
Maybe a productive task for the group here would be to post piaffe videos we do like and state why. I expect we have knowledgeable enough folks here to support this need at the end of exvetâs post:
Thanks for saying this. There is a lot of knowledge on this board, and we are here to learn, improve riding our horses. Letâs keep posts related to the topic at hand.
the type of horse todays dressage requires.
I agree. Days past horses had a higher percentage of hot blood. Currently, the average is ~22% hot. They can be less ardent. I like seeing an expressive and enthused pair work. That could just be me.
Days past horses had lower percentages of âwarmâ blood. Which is a different ride, than a higher percentage of hot blood coming forward.
AhemâŠyou are showing your age.
Back âin the day,â eg., as in post-WWII (1950âs to 1980âs), in the US, the horses that were predominantly ridden were TBâs. This was for everything from H/J, fox hunting, and dressage. The WB did not come to be the popular breed du jour until starting in the early 1980âs.
It was at that time that the emphasis on the âbrillianceâ in the gaits, eg., trots, started to be introduced into dressage judging. This trait relates to the trots that were bred into WBâs that were expected to be pretty much everything from pulling light coaches to being ridden. Even in the WB world, the Trakehner, with more âhot bloodâ was considered a riding horse vs the other WB breeds.
Do you realize that you just agreed with shallow post?
Do you realize that you just agreed with shallow post?
YesâŠand??? And what is a âshallow post?â
@shall is obviously âa person of a certain ageâ who was around horses before WBâs took over the world. Iâm just acknowledging the fact that WBâs came into popularity as riding horse in the US starting circa 1980âs and that trend transferred to how dressage was judged.
Apples/Oranges. I have seen some abuse in the WP worldâheads tied up on poles, weighted reins, wearing blankets in the summer, etc. BUT, I donât think it has anything to do with dressageâitâs a different sport. Sure, horse welfare is horse welfare, but you canât fix the world. Dressage has lots of problems right nowâwe should focus on those if we ever hope to make any change.
He rides almost exclusively off the seat - so much so that it took 6 months before I could ride a straight line with my guy because he was so sensitive to weight changes.
I donât know anything about this trainer at all, so I am not doubting what you say about him and the quality of his training, but that kind of sensitivity is one of the things Iberian breeds are known and loved for. However, it is a double-edged sword and exacerbates their tendency to go tight in the back and at the poll. Itâs something you have to be conscientious about if youâre training a PRE or PSL. They can look âcorrectâ in their shape without being through. They will react with speed and precision and be overachievers all day long - but to get them to do it with softness and come through the back takes attentive work!
What I am seeing in the Gabiel video that looks like tension to me is (1) The tempo in the piaffe appears quicker than in the backwards piaffe and passage, which gives the impression that heâs snatching his hind legs up rather than engaging his whole body in the full gymanstics of the movement. This may be an optical illusion? But itâs having an impact on my view nonetheless. (2) The poll and throatlatch area look completely fixed, with the neck compressed at the throatlatch - thereâs very little motion there during the movement. There should be some undulation in motion with the gait, especially as he goes forward in the transition. That would indicate a greater degree of throughness.
Itâs harder to describe what Iâm seeing that looks like tension in the back, but that too is about stillness where there should be motion, or maybe some disparity between the movement behind the shoulders (less mobile) vs. the haunches (more mobile).
Some examples that show motion at the top of the neck and give more of an impression of throughness (to me):
- This horse is even actually spooking in this environment, but is softer in the poll and less compressed in the neck: https://youtu.be/kE9k6WXGOpQ?t=189
- https://youtu.be/VuoA40RLNJA?t=17
- The first few seconds of this clip show the neck, though this may be a bad example of it
https://youtu.be/ZaWsKg7C0VE?t=24 -
https://youtu.be/3vOYT1mC8HM?t=255
(He does a piaffe in the pillars, turns around and does another the opposite way - both are difficult to see)
All of these also show about the same tempo, and thereâs an impression of âeaseâ in the movement, even with the spooking horse. I could certainly pick apart other details, but the purpose of sharing these videos is to show examples of what I was not seeing in the Gabriel video.
Wow, people sure see things differently. I only looked at the first two videos. I saw horses that seemed very tense, mouth movement and frigid body. Most unpleasant to watch.
It was at that time that the emphasis on the âbrillianceâ in the gaits, eg., trots, started to be introduced into dressage judging. This trait relates to the trots that were bred into WBâs that were expected to be pretty much everything from pulling light coaches to being ridden. Even in the WB world, the Trakehner, with more âhot bloodâ was considered a riding horse vs the other WB breeds.
Yet at the time âSOMETHINGâ must have been missing from the rides as NO ONE as scoring in the 70-80% range (so no ride was âgoodâ). Perhaps it WAS the âbrillianceâ the judges of old were looking for in the rides and why the scores never went above 80%
The third video was the nicest to my uneducated eye, but I donât understand why it was only done in the pillars.
This is what is most interesting about the first video. The horse is tense. He is spooking. And yet, the poll, jaw, and throatlatch all have a range of motion unconstrained by the hand that lets the horse use his neck in balancing himself in the piaffe. That is specifically what I was NOT seeing in the Gabriel video.
But again, I am 100% willing to believe that the backwards piaffe is not setting the horse up to do his best piaffe. I would be very interested to know what the training philosophy is for the use of that exercise.
I will also say that I tried to find videos that had more than a few steps of piaffe at a time, which is why these are all demos/exposition rides and not competition rides.
It was an exhibition and the pillars give the audience a visual indication of how âon the spotâ the piaffe is.
My apologies. Your post gave the impression of correction.
I apologize also for having recently purchased a new (undesired) cell phone after almost ten years, which is still catching me with the newer, sneakier, auto correct feature. I swear at it all the time.
My apologies also for the confusion my lapse caused you. I hope you will recognize auto corrections in anyoneâs future posts before jumping all over them about it. Many are much less obvious than mine was, but a momentâs consideration usually reveals the intended word.