The Gray Goose
Hi Folks, Kim Walnes here, and I’d like to address some of the points you’ve made. I think that some of the horses from back then could do very well today. I know that Gray would have. He was handy, could hold a line no matter what, & jump from anywhere. He could steady up before a tricky jump, gallop off after it, and had a turbo boost that I’ve never experienced on any other horse. Karen Stives’ Ben Arthur was the same way. And both horses had scope to burn!
Gray was one of the few in those days who crossed over into pure dressage competitions. We placed first or high at Fourth Level at recognized competitions, and once when Jack LeGoff made us show Third Level at Devon before leaving for Europe in 1980, Gray and I came in 6th in Third Level, Test One. Of course, the tests were much less demanding in those days then thay are now, but still, it was the standard of the time.
Mike Plumb rode Quality Scope (Snoopy was his barn name) that year, who was owned by Ron Marra. Torrance rode Laser (bay) and Finvarra (Chestnut). Poltroon was the famous mare she rode in 1980 at the Alternate Olympics, and who was owned by the Marras.
To me, those days of the sport were dedicated to galloping at speed across the country, and jumping whatever was put in your way. The emphasis was on rhythm. Over and over Jack would pound it into us to keep the rhythm–even if we were steadying for a bounce or a tricky drop. What I see happening since the new format is that there are less open galloping jumps and more technical groupings of fences where the riders are forced to do a series of efforts that require precision and steadiness, and then they gallop off to the next group. This might work well for spectators, but not so well for the horses. I hunted in Ireland before I began eventing, and I gotta say that it’s amazing what a horse will jump when his blood is up (as it was after R&T & Steeplechase) and he’s galloping in a rhythm! Some of those drag hunts made eventing look mild!
As far as I know, in the 6 years that I competed internationally, I don’t remember (& my mind is defnitely not as sharp these days!) more than one rider death, and that was at the '82 WC in Luhmuhlen. And a whole lot less horses died–but then we weren’t giving them so many injections, nor using the drugs that are available now…our feeds were less sophisticated too. I always used straight grains with Gray. No mixes except for Calf Manna, which he thrived on.
Jimmy Wofford is right. It is about the partnership, trust, and respect between horse and rider–built day by day, schooling after schooling. Those that had it could go through anything.
Even though it was filmed in 1982, Riding For America still offers a lot. It follows the primary candidates in Show Jumping, Dressage, and Eventing through their last selection trials, & was one of the first to do the in depth interviews. David Hoffman, who made the film, was brilliant in his editing, and captured the personalities of each rider very well. It is still inspiring, and has lots to offer–worth viewing!