[QUOTE=farmgirl88;5159957]
well you SHOULD care about red Pollard’s lack of vision in one eye and what happened to Howard’s son before he got into horse racing. it all plays a key role in the entire story and Seabiscuit wouldn’t have been Seabiscuit without the stories, and trials and tribulations of those who owned, raced, and trained him to his wins.
You all are sittinghere complainging that you were execting to see 'pretty horse sgalloping around a track" and how the movie was all about the life of the Chenery’s. Well i hate to break it to you but Secretariat wouldnt have been Secretariat if it wasn’t for the colorful people who lit up his life and did their best to make him something. if you wanted to movie to be strictly about Secretariat than you would’ve gotten exactly what you say you didnt want…pretty horses galloping around the track and flying like pretty little butterflies…puhleeeze[/QUOTE]
You’re not capable of reading for comprehension, are you? Do I, rhetorically, care about Pollard or Howard? Not in the least. No relation, and I don’t find their stories compelling. No more than I give a crap about Penny Chenery (though I at least have a distantly tangental connection to her father, for the same reason Secretariat raced in blue and white.) Would the movie have been better without them? Of course not, it would have either been screamingly boring (pretty horsie running around the track) or the nightmare that was “The Story of Seabiscuit” (my vote for most misleading movie title EVER.) But for entertainment purposes, you need some sort of story, and that was the best they could do based on reality. Seabiscuit’s connections just happened to have a little more tragedy/triumph junk to exploit (and even an excuse to put the characters in a Mexican brothel, not that Disney would have gone there in a family flick even if they had the historical excuse.) Secretariat, they had to…gild things a bit.
The point of the post that you couldn’t get is, the producers had to make a movie about things that we as a ‘horse people’ might not find interesting, but to make a movie about something the majority of movie-goers can relate to. Frankly it doesn’t even matter all that much if it’s true (hello, Hidalgo, if you want a horse movie that goes from “Hollywoodized” to “blatant lies”) so long as it makes a good flick that Sally Soccermom will cough up $10 a ticket so her kids can see it in theaters. People tend to like sob stories and cheesy straightforward triumph-over-adversity stuff in their family films. Since a horse doesn’t actually have any awareness of all that, they do stuff about the people. Do I really care? No. Do I want this film to make money? As I have a financial interest, yes.
To the OP’s question about “how many saw his Belmont”, not me. I was born three months after Affirmed’s Triple Crown and have never seen a Triple Crown winner in the flesh.