[QUOTE=Sansena;8635523]
https://www.youtube.com/watch?v=MudT3viHABA
This is EXACTLY what I’m up against. Except they bounce around like ping-pong balls the moment you turn your back, so you glance back to see wha da fruit bat is going on? and… pfft. They stop dead. So you wiggle the end of the fekkin’ eleven foot rope at them, and the scoot randomly.
And, heaven forbid you put a knot in the end of the rope. Because THAT would be too restrictive. Yup… nothing like letting 11’ of nylon rip through your hands to make you relish leading a strange 1000 lb critter.[/QUOTE]
Well, I’m not a PP fan…at all. I think he’s a hack. I am, however, a Tom Dorrance, Ray Hunt, Buck Brannaman and the likes of them fan. Huge fan, in fact…and have the well-behaved, respectful horses to prove it.
That video has quite a number of things wrong with it, and the length of the lead rope is not one of them…Pat’s knowledge about the length of the normal lead rope is even wrong. (while you can find 6’, most are 9’ to 10’). It just shows how he is prone to exaggeration.
That said, dealing with a Parelli’d horse that is acting like the one you described is just about understanding how they are interpreting your actions within their framework and how to “speak” the language they have been taught.
- If you are facing them and wiggle the lead rope…they are going to go backward…are whichever direction they can away from you. If you are wiggling to get them to go forward, that’s not going to work. You need to “drive” them forward, either by walking forward and they should follow once they hit the pressure of the rope…or by getting into position (you facing forward with their head at your shoulder, and use the lead rope as a driver for their haunches.
Watching the video makes me wonder why I would need my horse to go back that quickly…and why I would need to wiggle my lead rope so excessively. Pat’s completely hamming it up with how fast he’s having the horse back part…and people see that and duplicate it, which ends up being counter productive. You want your horse to take a step back by merely pointing a finger at them (or slightly stepping into them with the right intention). No need to wiggle a lead rope back and forth like that. People don’t understand that you are trying to get to the smallest, most subtle cues possible.
The wiggle in the lead rope should never be back and forth the way Pat does it. It is an up and down movement…with intention to use as little movement as possible. If the horse doesn’t respond, you increase until it does. If the horse will not break free in their feet, you use the rope up and down so that the knot of the rope attaching to the halter under the chin hits them under there (why ropes with snaps are bad…you can’t use for this). The head will go up and they will move away from the pressure. You can also introduce and refine the finger point when you go up and down (and not when you go side to side) with the rope so that eventually, that is all it takes to get your horse to move back. My horses are no where near as soft as Buck’s (I wish
)but they all move back with a soft, rhythmic, point, point, point sort of like what Buck is using here at about 0.46 to get his horse to give his eye and move away. (he’s absolutely amazing!)
- If they’ve been taught to whirl and run when turned out, make it more fun to stay. You say you don’t want to work on these horses at all, so take a handful of carrots with you to the pasture, scatter them on the ground. After turning the horse back to the gate, let them go. They will pretty quickly decide that eating the carrots is better than running off.