I have a “Dressage and CT” magazine from 1981 that has the show results in it from the 1980 AHSA National Dressage Finals with an article by Andrew De Szinay. It is a very interesting analysis. The minimum qualifying score was 55%. There are no different divisions for Open or AA. There are a lot of recognizable names of Olympians, judges etc. The highest score of the whole show was this 68.55 at First. The winning scores at the other levels were a 65.77 at 2nd, 63.06 at 3rd, 63.60 at 4th, 65.4 at PSG, and 66 at Grand Prix. [ATTACH=JSON]{“data-align”:“none”,“data-size”:“full”,“data-attachmentid”:10615674}[/ATTACH]
If you are listening, at 37 minutes in (by my clock) the question of quality vs training is brought up… finally.
I gave up after 10 minutes…keep us posted
Thank you for sharing this. I missed it live but am very excited they will post the recording.
I agree the first 10-15 were brutal. It got lots better.
Link to YouTube video: https://www.youtube.com/watch?v=JvqQ-xzZYtI
Here are my notes on the talk if anyone is interested. These aren’t comprehensive as I focused on what I found most interesting. It’s mostly not direct quotes but I tried to paraphrase accurately. Janet Foy did most of the speaking so I marked Mike Osinski’s comments with “(MO).”
~20 min, re judge pay in Europe vs US:
In US, judges get paid and have all their expenses paid, so they can make a living as a professional judge
In Europe, judges are not paid
When US FEI judges judge in Europe they are offered a certain amount (ex: $700 or $1200) and have to decide if it’s worthwhile, then must pay their own expenses out of that, including airfare
Due to judging in Europe a lot last year, JF and MO made $20-30k less than usual
~26 min, Q: Is judging less strict now than in the 70s/80s?
Previous system:
- Any one mistake was a 4
- Judges were giving Donnerhall a 6 on gaits
- 60% used to put you on the team
New system: - Eric Lette took over as FEI Dressage Committee Chair and he was a breeder/trainer/rider more than prior chairs
- He introduced the word “quality”
- What happened before/after a mistake should also be considered rather than just an automatic 4
- Judges have been encouraged to use the full scale more
Reasons for higher scores today: - Judging is getting better
- Quality of the horses is so much higher
- Riding is getting better
~33 min, Q: Isn’t dressage then turning into a breed show where everything is about the quality of the horses and not so much about the training? Won’t this be bad for non-typical breeds in the GP?
We have to recognize the horse as an athlete
Quality comes first because dressage is an Olympic sport and everybody must be judged the same (there can’t be different judging for people going to the Olympics and people not going to the Olympics)
“Quality of the horse doesn’t matter if the training is not correct”
Quality + Basics + Essence of Movement + Modifiers
Less athletic horse with very good training “probably” will win over very athletic horse with bad training
Movements that reveal training: walk pirouettes (not in GP test anymore), walk, reinback
Specially bred horses will score better but there is a place for the other horses (MO)
~37 min, re new “code of points”:
Plan was to debut it after Tokyo Olympics
Tries to marry “one mistake is a 4” to “quality first”
The idea is that even if the horse is super-high-quality, mistakes will prevent score from being higher than a certain number
Setting out criteria for what constitutes 10, 9, 8, etc
Ex: in the changes, one mistake is 5, two mistakes is 4, three mistakes is 3, four mistakes is 2, etc
That will make the people without as extravagant horses more comfortable because their correct training will have more influence
~48 min: US legal system prohibits fast-tracking of excellent riders/judges up the USEF judge levels
~54 min, re statistics on judges and panel selection:
Statistics are collected on each FEI judge’s scoring to see if their standard deviation and placings are in line with other judges
Judges can log into their dashboard to see their statistics compared to other judges
This is how panels have been selected for championships in the past few years, by selecting judges that “judge well together”, and there have not been any big huge deviations in the last few championships
~57 min: “I think we’re going to die if we stick to the black and white uniforms and ‘this is the way it’s always been done so that’s how we’re going to do it.’ i think we have to become more modern.” Discusses colorwheel. JF favors doing away with coat requirement etc because all that should be judged is the riding.
~59 min, re future of the sport:
We need to develop the children and the ponies. The US sort of started at the top and worked its way down because that’s how we had to do it. Need to get Western and HJ kids into dressage.
There is more harmonious riding because today’s horses are more sensitive
As long as we keep breeding wonderful horses there is hope
~62 min, Q: How do we as riders know what the judges want, the “slow” of the Americans vs the forward of the Europeans?
I think judges disagree on the PSG so much because it’s mostly straight lines so you can have a big-moving horse and kill it except for the pirouettes
There’s a fine line between forward and real training and developing the gaits and quality of collection
We have to be careful not to get into the old German “more forward, more forward, more forward” because that requires more submission and can lead to tension
We want more forward through suppleness, training, and harmony
At the end, you have to collect—you can’t keep running them off their feet, so it takes care of itself (MO)
”‹I think that the new “code of points” sounds intriguing, as far as setting consistent standards for each movement and penalizing poor training even if the horse is a very fancy mover. It will be interesting to learn more about that as it develops.
The discussion of judge pay in Europe vs the US may be interesting to those who ask why it is so much more expensive to show here (one of many factors of course).
@lorilu What did you think about that discussion? To me they seemed a little defensive/dismissive about it.
Perhaps because all three of those judges are excellent judges who do not reward incorrect training even on an amazing horse. Remember they are the top of the judge ladder- Mike and Janet are instructors in the judge program, Janet sits on the test writing committee… they know their stuff.
Of course the horse with great gaits will score better (all things being equal), but I really think the judges are getting better at spotting the horse that fakes it.
I also think the “code of points” with hard ceilings (and floors) for scores in movements where there are training mistakes is a good idea. Just because a horse has 8 gaits doesnt mean one mistake in the changes should be a 7…
I DO think it will help horses with less spectacular gaits but excellent training and submission.
ANd I really liked the comments about “forward”. I have read that today, collected gaits are similar to the old Meduims, and Mediums today are as forward as the old extended… I think I heard that from SP, not sure?? In my experience (admittedly limited!) it isnt the answer for all horses - in particular the Iberians. Altho I did recently get a comment about “collected does nto mean slow” - (he was collected, not slow, he’s a Lusitano!!) I am careful about the judges I ride in front of…
I ride a non traditional horse. Mike O REALLY slapped me my first time out at PSG - and I know why. It was not the gaits. A few years ago Janet gave me my worst score of the year in the warm up class for Regionals Level 3… and I know why. It wasnt the gaits then either. Not that he has great gaits - very typical Lusitano, no overtrack in the EW, not a lot of cadence, would rather go BTV and roll over his shoulders than take the thrust UP as he should… etc…
Of course, and I didn’t mean to imply that they’re not. I have ridden with Janet and found her to be extremely kind and encouraging about my GP horse, who is a WB but not a fancy mover. I guess what I meant was that the question about whether regular horses/riders are being excluded by the emphasis on quality is important to many people that aren’t international riders/judges (as evidenced by thread after thread on the subject here), but it seemed to elicit almost an eyeroll response from them. I could be misperceiving something though (and the question was intentionally framed in a little bit of an inflammatory way, I think).
Also, just because they themselves don’t reward incorrect training doesn’t mean that other judges don’t, and that would still be a problem that they could discuss instead of just stating as fact that the lower-quality, better-trained horse “will probably beat” the higher-quality, poorly-ridden horse (which many people here don’t seem to believe is true). “Should beat” would have been the better phrasing I think because it acknowledges that judges are human and the system isn’t perfect.
My comment was just directed to the “defensive/dismissive” comment … and I think all judges know that there are bad judges - just like all teachers know we have poor teachers in our schools. I do wish they had spoken a bit more about that, but then they went into the new code of points, and maybe they felt that covered it more… But lets face it no one want to throw anyone you work with under the bus. If judges get bad reviews (there are forms available at all shows), there is a discussion that takes place… And judges are required to take “classes” every few years (don’t know the details, sorry, Im not a judge…) And I agree with the way the question was framed… but I expected it to happen. I’m surprised we didnt see eye-rolls!
(I usually ask a judge friend about judges at upcoming shows… and of course you can check dressage detective to see their average scores at each level )
If there are no professional judges in Europe and they don’t get paid, who does become a judge there? Is it riders and trainers who volunteer their time? What incentive exists in Europe that they can recruit and maintain a cadre of judges? Maybe I’m missing something here.
I’ll admit this seemed glossed over or a bit of a deflection or misrepresentation. The legal system doesn’t prevent fast tracking, the culture of law suits may come in to play, which given her response I can see. How would you decide who is “excellent” enough and who is not. There could certainly be accusations of favoritism, especially since fast tracking someone could allow them to earn more money. But really, there’s nothing stopping the federation with coming up with objective criteria to allow some people to proceed faster than others. It’s not like the legal system explicitly forbids such a thing, which is kinda how she made it sound.
One of the things I found interesting in the quality-first discussion (and now it has been a few days since I watched, so forgive me if I’ve misinterpreted what I’ve heard in the intervening days), there was some language used that made it seem like, to me, that they recognized with the extended trot, for example, that they had been overscoring some pairs with training issues in that movement by putting the gaits before all else. Like, the gaits became so big so fast, the judging lagged a bit in being able to interpret what the judges were really seeing, and they’ve since been revisiting what is “quality”. With the additional discussion at the end about harmony and suppleness, maybe “quality” will be heading towards an interpretation that’s closer to “overall impression” than just big/flashy. E.g. “Freedom of the shoulder” could mean taking big steps, but could also mean suppleness and ease of movement. Some horses can hold a lot of tension at the base of the neck and over the withers and still make extravagant movement with their legs, for example. I think anyone who has done serious training on more than a few different horses has experienced some version of this.
But whenever they recognized this (it was a big discussion 10+ years ago), I imagine adjusting the standard is not a quick process. So I guess after the sea change of switching to quality-first, we truly have been watching an evolution of the sport in a more literal sense.
They didn’t mention this, but I’d like to know: 30 years ago and now and in the future with the code of points, how much regularity of the gaits affects the score? They did not mention that in the short list of examples of demonstrations of correct training, but for sure, when the work gets more difficult (including pushing the limits on extravagant movement), regularity issues are prone to show up - it’s also the base of the training scale. Though an admittedly far from GP rider, I’m inclined to look at things like tempis and transitions into piaffe (and the piaffe itself) and think of rhythm/gait irregularities there as not necessarily incorrect training, but maybe a gap in comfort at the level. I’d rather that at the top levels, regularity not be sacrificed in order to push the limits on expressiveness in gaits. They did mention the tempis with the code of points, but I think more in the sense of missing a tempi, not in the sense of stepping short behind or similar actual gait irregularities. I don’t recall them saying anything about piaffe.
I’m looking forward to learning more about the code of points. Good rubrics are hard to write (in any discipline). From an academic standpoint, I’d love to have listened to some of the discussions in the development of this.
Dressage riding and judging has evolved. Here is a video of the 1964 Olympics: https://www.youtube.com/watch?v=aIeAHzG3mi4
Sour grapes, plus the bigger gaits of the warmbloods weren’t as easy to ride as those of a TB.
Yes…and…your point is?
My point is that it is not only the judging that has changed, but the riding and the horses have also changed.
Ok…it was not intuitively obvious to me that was the point of that video. I agree that there has been change.
Since you posted the video, then the next question would be, do you think the change has been for the better or for the worse?
I had heard that dressage had changed throughout the years, but did not realize how much has changed. If you watch, you will notice riders post the extended trot! I think it has changed for the better, just as gymnastics, ice skating and other sports have evolved. Teachers and coaches want their students to improve and throughout the years they have improved.
Not AZ TD but I’ll bite.
Today’s horses are much more fluid in their overall movements. The walks on all of the horses in the 64 film had no overtrack, no fluidity. Lots of tail wringing (something that was brought up about 10-15 years ago about many of the top horses, indicating to many arm-chair quarterbacks tension in the horses due to poor riding. I don’t necessarily agree, some horses just wring their tails like some horses chomp on the bit more than others). Canter pirouettes were rushed and spins, not pirouettes. Backs were stiff, Passage really had no lift. Some piaffes were good, most were just bouncing up and down, many of the same complaints we hear today. Many of these rides may be scored even lower today than what they were scored in 1964. Just my $0.02 and worth less than that I’m sure.
The horseflesh at the top of the heap in the dressage world has certainly changed. Even the off-breeds that do well at our national levels do as well if not better today due to the better training and understanding of the horse.