DH and NP were both promoting this weird myth earlier this year that by the time a horse is trained to GP at the international level it should be “push button easy,” never ever spook or resist in the show ring, and that everything should be a perfect vision of balance and harmony.
What a dead giveaway that they know nothing about upper level dressage. Most of these riders are walking a tightrope between making the horse look brilliant and having it explode. There is nothing push button about it, and the artful appearance the rider is doing nothing but allowing the horse to perform underneath them is just that - an appearance. The rider is working every second to create that cadence and suspension we love to see, to maintain the balance and to keep the energy fired up without bubbling over. Often tension and excitement win. The horse gets strong and needs a momentary correction, it ducks BTV or drops its back for a moment, it opens its mouth and resists the contact. GP horses aren’t robots - far from it.
Perfection doesn’t exist in this sport. Otherwise a 10 would mean “perfect.” There is most definitely artistry in competitive dressage. But first and foremost it is a sport. And like ballet, when viewed from a distance it looks effortless and lovely. It’s only up close you can see the sweat pooling, the muscles clenched, the ankles wrapped and the toes blackened and bleeding. It takes some education about ballet to spot things wrong, like a sickled foot, or a misplaced hand, or a pirouette that the last quarter turn was cheated. But only a truly educated eye will catch the minutiae of what was done right - the perfect turnout, complete extension of a line, silent landing of a jump, etc.
Dressage is the same. It takes a little knowledge to point out something that is wrong. It takes a lot longer to develop an eye that can evaluate both the picture as a whole and the specific minute details to appreciate what is being done right.
It’s something that amazes me when I scribe for FEI judges. How do they notice how much the horse is tracking up, lifting its abs, swinging over its back, making a perfectly round circle right at the letter in a seamless transition without losing balance, while also noting the head is slightly tilted left and that the tongue is pushing up against the roof of the mouth - all in the space of a few seconds?
I think the first step in educating your eye is recognizing how much you don’t know and don’t see.