[QUOTE=Donella;6368065]
Well, it is an interesting conversation for sure and we all like different things.
See, I don’t think a horse that can piaffe and passage has lost it’s elasticity…they just take on a high degree of positive tension (likely what you mean by muscle tone). But there is no doubt in my mind that for a horse to learn transitions between piaffe and passage, to go from passage to extended trot ect ect the horse HAS to be inherently elastic/adjustable/good through the body. That doesn’t mean that the horse always looks loose because positive tension dominates in those movements. But to get there I think you need that elasticity/adjustability!
I keep reading in the verband magazines the importance of these qualities (ability to work through the body well) and like I said, they judge young horses on it when they assess them in hand. I am assuming they feel there is a correlation between swing and elasticity and rideability/ athleticism for sport??
Anyways, it is interesting and I think great we can share ideas on stuff like this :)[/QUOTE]
Stolensilver is ABSOLUTELY correct. It is an excellent description, actually.
If you even watch a horse at liberty perform the piaffe or passage, they lose the elasticity to quite a degree.
Does that Grand Prix horse show elasticity at freedom again when turned loose in their paddock? Yes. But under saddle, the demands of the Grand Prix movements favor the litheness velvety-smoothness instead. Warmup of the GP horse is where they best show their elasticity, quality of gaits, suppleness. Then, as the warmup proceeds past into the real work and the demands of strength take off, they maintain their suppleness and litheness, but the movements go more towards floating gracefulness, velvety smooth. Then in the cool down, they once again bring more elasticity and spring to the step.